
This freed him to experiment with different camera techniques, including handheld, gimbal and helmet mounts. Martin found that as well as being lightweight and portable, the camera and lens both functioned perfectly in the cold, high-altitude conditions and didn't require protective covers or cases. "I was surprised when I saw how small and compact the lens is, which makes it super easy for me to carry the kit around and put on a gimbal," he adds. "Now having the possibility to attach the VR lens and transform my favourite mirrorless camera into a VR camera, that's amazing! "I shoot 75% stills to 25% videos, and after two years with the EOS R5 it is still the best camera I have ever used for the work that I do, when it comes to image quality, speed, size and weight," says Martin.

This is the kind of video quality previously possible only by using hefty multi-camera rigs with lengthy set-up times – things that are simply not an option when shooting action on the move, on a deadline, across physically demanding terrain. The EOS R5 teamed with the RF 5.2mm F2.8L DUAL FISHEYE lens can create high-resolution 3D VR videos with excellent dynamic range and colour reproduction thanks to the capability of the EOS R5's 8K full-frame sensor. With the EOS R5 and the EOS VR Utility application from Canon, this system allows me as a photographer and filmmaker to jump into a new field of work."įor his first production with the dual fisheye lens, teamed with the EOS R5 he uses regularly, Martin shot an immersive stereoscopic 3D 180° VR video for the Davos tourism board to showcase some of the winter activities possible amidst stunning snow-covered mountains, including cycling, snowshoeing, ski touring, skiing, paragliding and sledding. "I don't know of any other lens like this, and Canon's EOS VR System gives me everything I need to shoot VR. "As a professional, I'm always adventurous and curious to try out new technologies, techniques and gear," Martin says. This has all changed with the revolutionary Canon RF 5.2mm F2.8L DUAL FISHEYE lens designed for shooting stereoscopic 180° VR. "When I go out on shoots in nature, it's not something you can easily recreate with photos and video, because you miss the 3D look and that sense of being surrounded by the scenery," he says. Both the extreme sports activities and surrounding environment are crucial story components for his clients in the experiences industry, and the challenge for Martin is to bring both these elements to life.

Whether up his local mountains in Switzerland, further afield atop Croatian cliffs or in the wind-carved sandy deserts of Oman, Martin is known for the jaw-dropping scenery in his photos. His startling images of extreme biking terrain and daring riders such as trials cyclist Danny MacAskill have been published in more than 20 countries, for clients including National Geographic and Red Bull. Mountain biking enthusiast and Canon Ambassador Martin Bissig built his outdoor photography career with the mountainous region of Davos in Switzerland on his doorstep.
#Canon objektiv fisheye full#
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